In 2001 BLUE ONE discovered a promising French beauty, CLARA MORGANE. Recognizing great talent Blue One signed Ms. Morgane to an exclusive contract leading to mutual success. Ms. Morgane appeared in seven hardcore movies for BLUE ONE before retiring from hardcore activity in 2002. Popular titles include CLARA: COLLECTOR OF MEN, MAX: PORTRAIT OF A SERIAL FUCKER #2 and I'LL DO ANYTHING TO WIN.
BLUE ONE made another amazing discovery in 2003 and started filming with another young French actress well known today as anal queen KATSUNI. Not surprisingly the eight hardcore features BLUE oNE made with Katsuni were immediate successes. Soon after Katsuni wrapped her last production with BLUE ONE she set off to begin her award winning hardcore career in the United States. Her early BLUE ONE works include PRIVATE SECRETARIES, PARISIAN GIRLS and KATSUMI: QUEEN OF SEXUAL PLEASURE.
IN 2007 BLUE ONE made the jump to High Definition productions and continues producing some of the finest quality adult movies anywhere in the world with 6 HD releases scheduled for 2008.
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2001Studio: Blue One |
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Released as "La Connectionneuse" |
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2005Studio: Blue One |
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Released as "Megasexus" |
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1999Studio: Blue One |
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All good things come from France: French women, French Kisses, French fries... ok, . . . |
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2003Studio: Blue One |
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Twelve beautiful actresses. twelve scenes of pure unbridled lust, quite varied . . . |
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2001Studio: Blue One |
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From California to Paris, Clara Morgane follows Fred Coppula, who brings perpetual . . . |
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2002Studio: Blue One |
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Paris: 10 million inhabitants more than half of whom are men. Along comes Pauline, . . . |
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2004Studio: Blue One |
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Adults need fantasies. Some need extreme fantasies. This film is replete with them. . . . |
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2003Studio: Blue One |
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A comic book author falls in love with Katsumi, the heroin he's created. He decides . . . |
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2000Studio: Blue One |
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The Tontons (uncles) Trigleurs has an old- fashioned theme to it. While on the hunt . . . |
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2003Studio: Blue One |
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Sebastian breaks the hearts of the naive beauties he hits on in Paris. But little . . . |












